Mike shares with you in his writings about his current art project and his hard and happy days as a commercial artist in the past.
The art school will remain open the reminder of this term and next term. All classes advertised will continue. To ensure your safety, all surfaces will continue to be swabbed with appropriate sanitizer after each class. As advised distance between each student will be increased to one and a half meters.
I hope to see you all in the coming weeks.
Mike x
Written by Mike Lamble
Whoopee! Will see you all at our annual exhibition.
I want to show you all off to your family and friends see what you have achieved. Many of you have said to me when first joining the art school “I can’t draw, I can’t paint.” Yes, you can if you keep up the practice, you will just get better and better.
Mike was drawing in Mogareeka NSW.
With the birds, Charlie and Stanley.
Written by Mike Lamble
Whoopee! Will see you all at our annual exhibition.
I want to show you all off to your family and friends see what you have achieved. Many of you have said to me when first joining the art school “I can’t draw, I can’t paint.” Yes, you can if you keep up the practice, you will just get better and better.
Mike was drawing in Mogareeka NSW.
With the birds, Charlie and Stanley.
NSA ANNUAL EXHIBITION STUDENT WORKS IN 2015 AT MOSMAN ART GALLERY.
Written by Mike Lamble
This is the forth time we have had our annual exhibition at Mosman Art Gallery. It is always exciting to see our students’ progress in their artworks the end of the year. As I looked around the paintings assembled, I had this glow of pride and pleasure at the achievements all of you.
I want to say THANK YOU to all those who helped in setting up the exhibition and who contributed the wine and food.
Click the image below to see all the photos from the exhibition.
NSA ANNUAL EXHIBITION STUCENT ARTWORKS IN 2015 AT MOSMAN ART GALLERY.
Written by Mike Lamble
Whoopee! Will see you all at our annual exhibition.
I want to show you all off to your family and friends see what you have achieved. Many of you have said to me when first joining the art school “I can’t draw, I can’t paint.” Yes, you can if you keep up the practice, you will just get better and better.
Mike was drawing in Mogareeka NSW.
With the birds, Charlie and Stanley.
Written by Mike Lamble
Beginners Portrait Workshop Saturday 7th November
This is a workshop for students who have never drawn a portrait before but can draw quite well. I reveal the techniques I use to achieve a likeness. In other words how to see the proportions of the face made easy. In this first workshop all that was needed: 2B pencil, A2 pad of cartridge paper, eraser, pencil sharpener. From the pictures you can see what my students accomplished towards the end of the day. This will take us into the next workshop using the same methods but explore achieving a likeness from different angles seeing how foreshortening changes shape.
Written by Mike Lamble
Last weekend ….. Timing is everything I knew my students were ready to experiment with a new medium a few images from my Saturday beginners Pastel Portrait workshop.
The materials we used:
Written by Mike Lamble
This is my Friday teens class.
Most joined me when they were 11 or 12 years of age, 4 or so years ago. They are such a delight it’s my privilege to share two hours of their life with me on a Friday afternoon. >> Details about Afternoon Kids Class.
Written by Mike Lamble
I can’t tell you how wonderful it was to be an art student again for a whole week it was expensive but worth it Lesley O’ Shea was the tutor conducting the class she was great! You can always learn something from someone, even though I have painted many portraits over the years. The first day as I sat there with other students watching Lesley demonstrating her approach to painting a portrait, my immediate reaction was ‘ what a great idea I never thought of this’ I can adapt the idea and use it with my students as well as myself.
All of us were given a photo of the aboriginal girl this was my painting of her in oils.
We were given the photo of the old man all the other students took the same approach as in day one after watching Lesley’s demonstration ,this is where I deviated from what everybody else was doing Using acrylic ink on watercolour paper over a pencil drawing.
After watching Lesley’s demonstration this time I worked from my own picture of Olivia using my ipad adapting some ideas I had gained from Monday’s demonstration. I took the the painting as far as the acrylic under painting so I wouldn’t have a rather large oil painting odours asphyxiating me in the car for the duration of the three hour drive back to Sydney after painting a few studies of Olivia’s face I will complete the painting in the weeks to come.
I couldn’t resist drawing my adopted in a style straight out of the Renaissance with a view to painting her the following week in my own studio pencil on watercolour paper. In conclusion, to indulge one of my passions for a whole week was wonderful I remember my days as an art student and lamented the days I had wasted not appreciating the chance my parents had given me, even though I have made up for it since this week brought it all back to me, I was going to make the most of every minute and I did.
Written by Mike Lamble
This was conducted in my two hour class the last three Friday’s of term two.
This shows how I am able to get a likeness using the plaster cast head.
We draw from the inside out not drawing an egg then trying to assemble the features to fit !
Measuring from the inside out using verticals and horizontals.
starting out with a 2D image using verticals and Horizontals.
These are a small selection showing what my teenagers were able to achieve after three hours. The last hour working from the plaster cast in preparation for week three.
Two hours working from a live model what some of my students were able to achieve after only 6 hours.
I used the same techniques from my adults portrait workshops except I condensed the time from 15 hours into 6 in the full confidence they could do it I was not disappointed.
“The reason some portraits don’t look true to life is that some people make no effort resemble their pictures” -Salvador Dali
Written by Mike Lamble
3-6pm Sunday 24th July 2016 $70
At last I have chosen a date to talk, demonstrate and what I consider visual evidence by looking at paintings by Holbein, Vermeer, Velazquez Leonardo, Van Dyke, Raphael, to name a few including a number of drawings from the 19th century.
I will illustrate how I believe the old masters used optics to achieve the results we admire today.
My journey started many years ago as I stood in front of Caravaggio’s Supper at Emmaus 1601 in the National Gallery London.
There was something decidedly odd about the hands I will discuss this in the workshop.
This took me on a journey of exploration that lasted a number of years, at this point I must thank David Hockney for making it easy to put all the pieces together.
I sent Most of Sunday experimenting with mirrors and lenses, instruments believed to have been used in the 15th and 16th century’s, you will also see in the picture a Camera Lucida a 19th Century drawing device next to a 21st Century Camera Lucida ,which is much easier to use than it’s 19th Century grandfather but still difficult to use as you will find out when invited to try to use it for your self.
This shows my attempts tracing the outline of the cast of Aphrodite, after an hour or so experimenting it was quite easy took about 30seconds.
Sarita taken from my ipad from Saturday’s portrait workshop much more difficult several attempts realised it is better to make a few quick notations of proportion then continue using traditional observation skills .
Thanks to Andrew lending me his 21st century Camera Lucida I have finally been able to put this workshop together.
Written by Mike Lamble
This is my latest drawing of the life model showing the various stages to completion
I used a only 2B pencil.
Written by Mike Lamble
Sydney on a Stormy Day ( I was there)
This is how I painted it.
Finished off in the studio.
The watercolour portrait of Olivia.
Written by Mike Lamble
It’s as if she had just stepped out of an oil painting by Botticelli as Olivia disrobed for my life drawing class last term.
Models like Olivia are a rare find indeed, or should I say she found me. We have known each other for over ten years, out of the blue she asked if she could model for the art school.
I have always appreciated her good looks but never thought she would have the classic Renaissance figure ,there were nods and smiles of appreciation from my students as she went through her routine.
At the end of the class as she slipped into her dressing gown chatting away , “Olivia don’t move”
I exclaimed I have to paint you just as you are.
This is the result of my first attempt at a portrait in watercolour it’s ok but ….
So Olivia is coming on Sunday to model for me I hope over the coming weeks you will see as I practice using watercolour what I really had in mind.
Mike often goes out for sketching.
Written by Mike Lamble
As most of you know from my talks at the school I love to get out of Sydney and draw at the weekends and in the holidays when I can.
Thanks to Ako who has inspired me, watching her practice watercolour most of last year I decided to go back to watercolour painting out of doors, something I haven’t done since my student days, I had forgotten how wonderful this was.
This has generated interest from some of my students who will join me from time to time.
I hope the pictures tell the rest of the story with more to follow throughout the year.
Lunch break.
Charlotte visited Mike with her dog Zippo. Charlotte was in Mike’s teenage after school class. Now she is studying in UK.
Written by Mike Lamble
As I write this blog all the clichés come to mind how to describe my feelings such as, pulled in opposite directions mixed feelings,conflicted, this happens to me every year this year being no exception.
If I said good bye Alex and congratulations achieving high marks with your HSC. The sadness is after being my student for the last five years I’ve watched her grow in ability to draw and paint to a high standard, and change from a child into an adult then leave this art school to go on to University.
My other student Pelin Ersoy is also leaving to go on to University next year a delight to teach a wonderful painter and has graced my school for the last two and a half years. As I hugged them good bye the difficulty was hanging on to my British stiff upper lip! Ako recorded a conversation I had with Alex this holiday on her acceptance in to Art Express which we will release in March to coincide with the opening.
I always ask my leaving students to drop me an email even if it’s only once a year to let me know how they are doing in their studies and in life. Many do, I’m often happily surprised when one lobs in as did Charlotte with her dog last holiday who has completed her three year degree at Cambridge University in the UK, when time and holidays permits Charlotte and I arrange to take our paints and go painting for day plein air.
NSA ANNUAL EXHIBITION STUDENT WORKS IN 2014 AT MOSMAN ART GALLERY.
Written by Mike Lamble
This is the third time we have had our annual exhibition at Mosman Art Gallery. It is always exciting to see our students’ progress in their artworks the end of the year. As I looked around the paintings assembled, I had this glow of pride and pleasure at the achivements all of you.
I want to say THANK YOU to all those who helped in setting up the exhibition and who contributed the wine, champagne and food.
Click the image below to see all the photos from the exhibition.
Portrait of the composer as a middle-aged man:
Emil Orlik’s 1902 etching of Gustav Mahler Art Resource, NY
Written by Mike Lamble
The irony hasn’t escaped me I will be giving a short talk on Mahler (1869-1911) to a selected number of my art classes during the second week of December, particularly his third symphony.
The beauty of having my own art school is I can indulge another one of my great passions in life.
I was asked a few years ago by a number of my students why would I fly to Melbourne just to listen to a concert and ” who is Mahler anyway ” after rapturously reliving the whole powerful experience with tears in my eyes at which point I had to recover my composure.
This created such curiosity I offered to put a talk together concluding with the last movement of his Symphony no 3 in D minor, the effect was quite amazing whilst not everybody’s ‘cup of tea’ they understood the glorious power and melody of such a great work why it affects me so deeply and emotionally an experience I hope to share with some of you in a few weeks time.
Level 3 and Level 5 atrium
Written by Mike Lamble
I feel so proud of you all so I’m showing you off to the world, according to my contact Malcolm it is estimated about ten thousand visitors a week walk through the area of the exhibition .
In a few weeks I will post many more pictures after my visit to have a look.
In the mean time i will ask ako to post the pictures Malcolm sent me last week.
Well done!
Mike often drives around to do some drawings.
Written by Mike Lamble
For years I spent many hours working from editors notes and photos supplied by which ever publisher I worked for at the time.
I always knew I had produced a successful illustration as FEDEX came to my studio to “ship” it to New York, based on phone conversations and faxed sketches of the previous few weeks.
Historical accuracy and realism to a high standard was the brief to a deadline. To my satisfaction clients began to contact me from many locations in North America and Canada.
Yes I had to use my creativity, imagination and particularly my knowledge of perspective accompanied by many photos supplied, so I knew exactly what my subject matter looked like…… or so I thought!
Eight years ago I turned down my last freelance illustration from a publisher in Dallas USA, to concentrate on full time teaching, and what a journey that has turned out for me in learning to see properly.
Now I had the time and a resurgent desire to get out of the studio and draw and paint from life, not to look at a flat two dimensional image, a frozen moment, a record.
I knew photo’s cannot tell us the full story either of an object ,a face, or a landscape, its what we don’t see when working from photos the camera cannot see like the eye in term of depth of field, colour warm or cool, how often have I pointed out the distortion to some of my students who just didn’t see it.
The camera is a poor substitute for experiencing emotion in a location we wish to draw or paint.Drawing or painting from life we feel the sensations of engagement with our surroundings. photos are great as reference, a memory jogger, a reminder of how we were feeling at the time if we have to work up our painting in the studio in other words go out and take your own photos! create your own ideas. If I’m short on time after sketching (usually running out of daylight) I take notes and as many photo’s as I can which gives me lots to work with.
The problem I most often see when my students paint from other peoples photo’s is they try to reproduce a painting exactly like the photo ( which is fine for beginners) so it becomes a document more than a painting with too many hard edges ,lacking in so much feeling, as my old Art Director often reminded me ” What you leave out is as important as as what you paint in”.
A startling revelation so far of my last eight years working from life, is my illustration of a First World War battle scene hanging on the wall in the Art School, memory told me it was worth pulling out of the portfolio after ten years and having it framed ( one of the few I received back from America).
The shock for me, I was looking at a document as per the brief which when appeared in a large format book was accompanied by text, but if i was to paint it now from what I have learned the scene would have much more feeling, brush strokes, texture, a more dominant focal point much more contrast , have look I hope you can see what I mean.
It makes me wonder if I continue on this journey what could I achieve in my painting in the next eight years thats if I don’t fall off the twig in the mean time.
