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“Is using photography bad or good?”  – written by Mike Lamble

“Is using photography bad or good?” – written by Mike Lamble

Sketch by Mike Lamble

Mike often drives around to do some drawings.

mike lamble henryWritten by Mike Lamble

For years I spent many hours working from editors notes and photos supplied by which ever publisher I worked for at the time.
I always knew I had produced a successful illustration as FEDEX came to my studio to “ship” it to New York, based on phone conversations and faxed sketches of the previous few weeks.

Historical accuracy and realism to a high standard was the brief to a deadline. To my satisfaction clients began to contact me from many locations in North America and Canada.

Yes I had to use my creativity, imagination and particularly my knowledge of perspective accompanied by many photos supplied, so I knew exactly what my subject matter looked like…… or so I thought!

Eight years ago I turned down my last freelance illustration from a publisher in Dallas USA, to concentrate on full time teaching, and what a journey that has turned out for me in learning to see properly.

Now I had the time and a resurgent desire to get out of the studio and draw and paint from life, not to look at a flat two dimensional image, a frozen moment, a record.

I knew photo’s cannot tell us the full story either of an object ,a face, or a landscape, its what we don’t see when working from photos the camera cannot see like the eye in term of depth of field, colour warm or cool, how often have I pointed out the distortion to some of my students who just didn’t see it.

The camera is a poor substitute for experiencing emotion in a location we wish to draw or paint.Drawing or painting from life we feel the sensations of engagement with our surroundings. photos are great as reference, a memory jogger, a reminder of how we were feeling at the time if we have to work up our painting in the studio in other words go out and take your own photos! create your own ideas. If I’m short on time after sketching (usually running out of daylight) I take notes and as many photo’s as I can which gives me lots to work with.

The problem I most often see when my students paint from other peoples photo’s is they try to reproduce a painting exactly like the photo ( which is fine for beginners) so it becomes a document more than a painting with too many hard edges ,lacking in so much feeling, as my old Art Director often reminded me ” What you leave out is as important as as what you paint in”.

A startling revelation so far of my last eight years working from life, is my illustration of a First World War battle scene hanging on the wall in the Art School, memory told me it was worth pulling out of the portfolio after ten years and having it framed ( one of the few I received back from America).

by Mike Lamble

The shock for me, I was looking at a document as per the brief which when appeared in a large format book was accompanied by text, but if i was to paint it now from what I have learned the scene would have much more feeling, brush strokes, texture, a more dominant focal point much more contrast , have look I hope you can see what I mean.

It makes me wonder if I continue on this journey what could I achieve in my painting in the next eight years thats if I don’t fall off the twig in the mean time.

Skech by Mike Lamble

Mike is sketching

mike's donated painting to rnsh

Happy Discovery – written by Mike Lamble

Mike and his Painting donated to Royal Northshore Hospital

The painting is hung on the ward wall on Level8, RNSH.

mike lamble henryWritten by Mike Lamble

As many of you know, last year I especially painted a sunset had it framed at Shore Style picture framers and donated it to the new Royal North Shore Hospital as an expression of appreciation for the wonderful care in saving my life after an emergency a few years ago.

The photo was taken by Erika (the gorgeous student I painted last year) after a meeting we had with a gentleman who had contacted me the previous week offering an exhibition for the art school as part of the RNS exhibition programme for the new multi million dollar building.

He took us to the ward where I asked the painting to be hung this was the first time I had seen it since it left the art school.

Neeti Baura

Ask Our Students – Neeti Baura (Thursday 6.30-9pm)

” There is always a positive atmosphere, lots of cheeky jokes and it’s great to be around people who share a passion for art and learning.”
"THE ROSE" by ARNEET BAURA

“The Rose” oil painting by Neeti

Name: Neeti Baura
Occupation: Doctor
Joined NSA: Term2 2011

NSA: What doodle / drawing / painting did you do in your early life that you were the most proud of? How old were you?

NEETI: I would say the green lady created with pastels and ink, which I did as part of my A-level work when I was seventeen.  I also really enjoyed painting the lady on the swing chair with oil pastels and the landscape scene from the Lake District.

the green lady created with pastels and ink by Neeti

“Green Lady” by Neeti.

the lady on the swing chair with oil pastels by Neeti

“the lady on the swing chair with oil pastels” by Neeti.

NSA: Have you been always artistic / creative? if so, in what way?

NEETI: Ever since I can remember I have always been painting, drawing or doodling.  Initially I used to draw cartoons and images from comic books.  Then it progressed to still life, the body and anatomical drawings.  This was very helpful in medical school! I have always enjoyed doing paintings for family and friends.

Painted by Neeti

by Neeti.

Opera House Sketching by Neeti\

by Neeti

NSA: What made you join NSA? Where did you hear/find about NSA?

NEETI:After studying and working in medicine for such a long time, I wanted to get in touch my creative side again.  I had just moved to Sydney and saw the sign for the art school on my way back from work.  I think the colourful flowers outside got my attention.

NSA: If you are allowed to have any famous painting in the world on your wall, what would it be and Why?

NEETI: The Great Wave by Katsushika Hokusai.  I already have a print of this at home, but the real painting would be amazing!

Great Wave off Kanagawa by Hokusai

“The Great wave off Kanagawa” by Katsushika Hokusai

NSA: What are you working on in the class right now and what would you like to achieve with your art within a year?

NEETI: I am currently working on a magical fantasy landscape.  I wanted to do something which involved the moon and lots of different colours.  I hope to continue to develop my skills and work out my own genre of painting, while still enjoying the journey of being creative.

Oil painting by Neeti

Neeti is working on a magical fantasy landscape.

NSA: why do you take the class, or what do you get out of it?

NEETI: I find the classes to be very relaxing and a great break away from the norm.  There is always a positive atmosphere, lots of cheeky jokes and it’s great to be around people who share a passion for art and learning.

ANVEET BAURA - "SOUND SUNSET"

“Sound Sunset” painted with oil by Neeti

NSA: Finally, would you design a T-shirt for Mike to wear in the class?

T-shirt for Mike, Designed by Neeti

mike_face Mike said “When I look at Neeti’s painting ‘Green Lady’ as part of her body of work for her A- levels (I remember them so well, English exams equivalent to HSC advanced level) it’s so obvious how very creative she was and is.

I feel honoured to have such a beautiful personality join my art school who makes my role as coach more than teacher so easy ( notice I didn’t say looks!) who’s not adverse to the odd cheeky joke that makes even me blush now that takes some doing!

Neeti has produced some excellent paintings but not enough drawing to develop her ideas so putting my coaches cap on I will encourage her creativity into endless possibilities a journey I am looking forward to as long as she stays in Australia…… I hope.”

erika mike

“ERIKA” The finished painting. – written by Mike Lamble

"Erika" with Erika and Mike

Erika, Painting and Mike – NSA ANNUAL EXHIBITION 2013 AT MOSMAN ART GALLERY.

mike lamble henryWritten by Mike Lamble

About a year ago I worte a blog “What has the Titanic got to do with Mike’s Portrait?”.

I will quote from a few selected lines;
“In painting this portrait of Erika in the the way the Renaissance Masters would have approached it more or less so far without a hitch…”

I then drew parallels with the disaster which followed Titanic’s maiden voyage;

“What on earth has this got to do with my portrait of Erika? My students see me paint or draw from week to week often comment I make it look so easy, that’s the surface, it what’s hidden beneath that surface that counts,”.

Unlike the Titanic, the portrait progressed with a few minor scrapes.

The inspiration Erika’s walked into art class looking like this;

Erika

which reminded me of…

durer

The Journey.

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Due to many requests from my students I will give a talk in greater detail how I painted her term1.

Lucy Bremner

Ask Our Students – Lucy Bremner (Wednesday 7-9pm)

” I’ve come to know a lot of the people at the school and I really enjoy the laid-back, flexible and companionable atmosphere. It reminds me of being in Design College.”
LUCY BREMNER - "HOME AMONGST THE GUM TREES"

“Home amongst the gum trees” oil painting by Lucy

Name: Lucy Bremner
Occupation: Home Duties (studied Textile Design many years back 1996)
Joined NSA: 3/4 years ago (2010)

NSA: What doodle / drawing / painting did you do in your early life that you were the most proud of? How old were you?

LUCY: I was about 6 years old and I was at a Convent School. The nuns got me to decoupage a glass bottle with stamps. I really enjoyed that… much better than the maths!!!

NSA: Have you been always artistic / creative? if so, in what way?

LUCY: Yes, I have always been creative and come from a very creative background. My parents are very creative in their home and their sense of style. Probably more on the bohemian side of things. Nothing in our home every matched. My sister is a Ceramicist.

Lucy Bremner's parents

Lucy’s parents.

Lucy Bremner and her parents

When Lucy was a student with her parents.

by Lucy Bremner

A drawing by Lucy

by Lucy Bremner

by Lucy Bremner

by Lucy Bremner

Designed by Lucy

NSA: What made you join NSA? Where did you hear/find about NSA?

LUCY: I wanted to be creative again after many years of not picking up a pen or paint brush. I was new to Australia and when looking around for possible art classes, I immediately remembered the blue flower pots on the balcony and took down the number.

NSA: If you are allowed to have any famous painting in the world on your wall, what would it be and Why?

LUCY: Any of Margaret Olley‘s work. I’ve only recently come to know of this artist but I love her richness of colours, subject matter and freeness (impressions). I’ve always liked the Fauves and been keen on Matisse and then Cézanne. Her work reminds me a lot of Cezanne and also another famous South African artist that I have followed – Irma Stern.

"Poppies and Checked Cloth" by Margaret Olley

“Poppies and Checked Cloth” by Margaret Olley

NSA: What are you working on in the class right now and what would you like to achieve with your art within a year?

LUCY: I am about to start a new canvass – a still life of a flower. I’m looking forward to letting go and being absorbed by the process. I hope to free up even more and find more ‘me time’ to paint at home. I cherish the few hours that I have with Mike and the group. It really inspires me and I’ve discovered the joy of art again.

NSA: why do you take the class, or what do you get out of it?

LUCY: To do something for ‘me’. I live with a house full of boys and lots of demands. I’m a creative person and I need to do it for my sanity. I’ve come to know a lot of the people at the school and I really enjoy the laid-back, flexible and companionable atmosphere. It reminds me of being in Design College and it has just the right atmosphere – lots of easels, the smell of paint and linseed oil and a place that invites one to me messy and creative. It is what an artist studio should be. Not pristine and clinical.

Lucy Bremner and her family

Lucy and her family.

NSA: Finally, would you design a T-shirt for Mike to wear in the class?

Designed by Lucy Bremner

mike_face Mike said “Last year one of my students said ‘God’s punishment for having sex is children!’ Well I feel he is punishing me too, as I have lost (I hope only temporarily) one of my most precious, lovable, accomplished students with a great sense of humour, to have a baby in December. She is married to a south african with parents in law from yorkshire, how’s that for a sense of humour?

Lucy, we all miss you.

Her painting in our most recent exhibition at Mosman Art Gallery showed her dedication, ability, but most of all her potential. A marvellous reflection of the hight standard all my students have reached. I look forward to her contribution with eager anticipation for our next exhibition.”

"GREEN HEAD" by LUCY BREMNER

“GREEN HEAD” by LUCY BREMNER

Art Talk at the NSW art gallery by mike lamble

[REVIEW] Art Talk at the Art Gallery of NSW – Written by Mike Lalmble

TALK AT THE NSW ART GALLERY BY MIKE LAMBLE

Art Talk at the Art Gallery of NSW

mike lamble henryWritten by Mike Lamble

I wanted to thank all of you for giving me such a great time by allowing me to indulge my passion for standing in front of original paintings and talking about them at the Art Gallery of NSW, just by being there all of you inspire me. Thank you for all your comments to me during the following week. Many have asked if I will do another “Magical Mystery Tour” and “not leave it so long this time”.

As a suggestion, 2-4pm Saturday 29th March 2014.

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” Mike’s Gallery Tour really showed me how to look at art through the social and political context, as well as through artist’s eyes. He told us about the history of when the piece was painted and the story behind each painting. It was an inspiring afternoon and makes me want to visit the gallery more often. Thank you Mike for a fabulous, educational and uplifting tour!”

– Judyth Wiley

“As an aspiring artist, 2 hours in the Art Gallery of NSW is heaven at the best of times, but when combined with Mike’s obvious excitement and passion in the artworks he chose to share with students during the tour I gained not only a brand new perspective on many pieces that I had seen previously, but hope that maybe producing my own fine piece of artwork was within reach.”

– Vicki Edler

“Mike’s tour enables you to see beyond the beautiful artwork that is on display. He provides an insight to the life and times of the artist, the story behind the picture as he shares his appreciation of the artists’ technique. Mike’s enthusiasm for the Art Gallery of NSW is infectious – making this a wonderful to unwind on a Saurday afternoon. I especially appreciated viewing the Australian artists and his comparisons with pieces contained in other galleries worldwide.”

– Julia Huxley

“I joined my fellow art students on the ‘Magical Mystery Tour’ of the NSW Art Gallery with Mike on a lovely Saturday afternoon in early December. We learnt about a variety of artists spanning different genres, a range of paintings techniques and the history behind the artwork. I thoroughly enjoyed the whole experience and it was inspiring to see Mike talk with such passion about each painting. I am looking forward to the next one!”

– Avneet Narula

“I attended Mike’s “A Magic Mystery Tour” during December 2013 and found it to be incredibly informative, thought-provoking and, most of all, fun! Not only is Mike an art history expert, he is also a genuinely nice person with a fantastic sense of humour. Attending one of Mike’s talks HAS to be on any art appreciator’s list of top things to do in Sydney!”

– Marna van Zyl

annual exhibition at mosman art gallery

REVIEW – Annual Exhibition – written by Mike Lamble

The Celebration Night of Annual Exhibition 2013

NSA ANNUAL EXHIBITION 2013 AT MOSMAN ART GALLERY.

mike lamble henryWritten by Mike Lamble

This is the sceond time we have had our annual exhibition at Mosman Art Gallery. It is always exciting to see our students’ progress in their artworks the end of the year. As I looked around the paintings and drawings assembled, I had this glow of pride and pleasure at the achivements all of you.

I want to say THANK YOU to all those who helped in setting up the exhibition. Annie who flew down on Friday from Queensland especially to help then flew back on Sunday. Pye, Judith and Peter who made my task of organising all the paintings unnecessary. Thank you all who contributed the wine, champagne and food.


Ako Lamble Ako said I would like to share the experience I had at the exhibition. When I got in the room to take a few more photos of the paintings, A several people were already there, one of them was a middle aged man and he told me that he talked to Mike about an art class earlier and came to see the students’ art works. He said “I’m a taxi driver and i’d like to learn how to draw and paint PROPERLY with my spare time, I would like to paint like this and like that (pointing a few paintings with his finger). I don’t want none sense of the modern teaching saying ‘let your inner self come out and teach you’ which I had previously in other place”. He will join one of our day classes from February.

I wondered how many people had been encouraged by those high standard art works at the exhibition and decided to start their creative journey again… I like the idea that the exhibition is not just for showing off but inspiring viewers, the art community should be like this. Isn’t that wonderful?


Click the image below to see all the photos from the exhibition.

Annual-exhibition-2013-collage_600

NORTHSHORE SCHOOL OF ART ANNUAL EXHIBITIION 2013 POSTER

NSA ANNUAL EXHIBITION 2013

NSA EXHIBITION 2013 POSTER

NSA ANNUAL EXHIBITION 2013 AT MOSMAN ART GALLERY.

mike lamble henryWritten by Mike Lamble

  • Celebration Night: 6.30pm SATURDAY 18th JANUARY
    ( Simple drinks and snacks will be served ).
  • Venue: Mosman Art Gallery
  • Dates: Saturday 18th ~ Thursday 23rd January 2014
  • Opening Hours: 10am ~ 5pm

Whoopee! Will see you all at our annual exhibition.

I want to show you all off to your family and friends see what you have achieved. Many of you have said to me when first joining the art school “I can’t draw, I can’t paint.” Yes, you can if you keep up the practice, you will just get better and better.


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Charlie, the cockatiel singer and Mike, the human artist.

Art Talk at the NSW art gallery by mike lamble

Art talk at the Art Gallery of NSW by Mike Lamble

TALK AT THE NSW ART GALLERY BY MIKE LAMBLE

Art Talks at the NSW Art Gallery by Mike Lamble.

mike lamble henry

‘Art a la Cart’, a personal view by Mike Lamble.
Saturday 7th of December, 2pm.

We will explore various paintings from the gallery’s permanent collection – ‘A Magical Mystery Tour’.
To gain access to the paintings of great artists is to go on a journey with infinite possibilities, sharing visions of another age. I will guide you through six centuries of western art.
We will examine what makes a great painting – the use of context, technique, narrative, symbolism, meaning and historical style. We will discuss context.
After an hour we will make our way downstairs to the cafe and enjoy excellent company while nibbling on something wicked resuming our tour approximately half an hour later.
The tour will conclude at approximately 4pm.

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Click Here for advice on parking or public transport access to the gallery. Note our tour will exceed the time limit for the meter parking in Art Gallery Road so the Domain parking station is the best place to park.

drawing by Mike Lamble

“Talent? What talent?” – written by Mike Lamble

Scenary Sketch by Mike Lamble

The scenary sketch by Mike Lamble.

mike lamble henryWritten by Mike Lamble

It was great to see that some of my students practiced drawing in the recent holidays. You have no idea how that encourages me as a teacher, it is an essential discipline if you want to improve as artists.

I have mentioned to most of you that over the years I have endured anger, frustration, temper, and lack of progress from some students who then dump it on me because they don’t practice! But then expect to just walk into the studio and paint and draw ‘just like that’, then complain “It’s not working for me” as though it is something beyond their control! Or I hear “I don’t have the talent”. Well this may surprise some of you, nor do I!!

My old Art Director used to remind me “You are only as good as your last job”. So whatever I have painted in the past counts for nothing if I DON’T PRACTICE!!!! Which is what I did in the holidays. Here are a few examples:

Scenary Sketch by Mike Lamble

The scenary to draw

A statue drawing by Mike Lamble

A statue to draw

How many of you have heard it said by great sportsmen, musicians or anyone good at what they do – “Practice at least 10,000 hours”. In my case I knew in junior school when asked by my teacher what I wanted to do for a living, “Commercial Artist” was my reply. I have painted for some of the worlds biggest companies. I was once offered a job in Hollywood (yuk), nothing to do with talent, just sheer determination and single mindedness. So if there is hope for me what does that say for you girls and boys who have real talent?


Henry and Mike @Canberra

“Angel in the Rain” – written by Steve Murnaghan (Thursday 6.30-9pm)

Steve Murnaghan and his painting "Angel in the Rain"

Steve and his painting “Angel in the rain”.

Steve MurnaghanWritten by Steve Murnaghan (joining Thursday class 6.30-9pm)

Thursday night students have shared my journey this year with the progress of Angel in the Rain which I was delighted to finish last month. It is now framed and has pride of place in my lounge room at home.

Angel with light

The painting looks even better with the lighting for it.

Mike has suggested for some time that I settle on a theme so that I can develop a series of works and I have decided that stone sculptures and statues portraiture will be it. They are such evocative images with lovely clean lines and all the imperfections of natural stone with years of weathering. I have enjoyed doing landscapes at NSA but I seem to be drawn back to portraiture all the time, whether it be in pencil or paint. I am already progressing well with the second piece in this series.

I need to get my camera and go and find original subjects to paint. I found Angel in the Rain on the internet. Using other peoples material can take you into some murky copyright areas. When I realised Angel was going to be something a bit special I took the bold step of contacting the photographer directly to ask his permission to paint it and I was very happy when he replied with is approval. I felt I could have a problem on my hands if the opportunity arose some time in the future to display the work or publicise it. Or sell it!!

I don’t have such a problem sourcing images from the internet if I don’t have any other plans than to simply hang the work at home. Flickr and Tumblr are sensational resources for some stunning imagery. Even Google Images is good. Think of what you’d like to paint, enter it into the search function and scroll away to your hearts content. If you find something you like be sure to make a note of what it’s called or where it’s from as images are often difficult to relocate if you have to go searching for them again! Print it off and paint away!

I also use technology to benchmark my progress. Each week I take a picture of my work with my phone and email it to myself. I can then get it on my desktop and compare it with last weeks work and the original from which I am painting. This comparison process easily highlights particular areas that need to be corrected for shape or proportion. Once I have got the subject correctly mapped out it is a much more satisfying task to work on the detail and the end result will be good. When a work is finished it’s interesting to see the development of the piece from the very beginning too. Here is an example of this with my current work (yet to be given a title). I can see all sorts of tweaks and adjustments I need to make next week!

Marble Pair

Steve’s painting (left) and The photo of statue (right).

Why does it have a purple background?
Because when I printed the picture out on my desk top laser printer the dodgy colour settings gave me a distinctly different picture from the original. I will correct the colours of the statue as I go but it’s probably too late to rescue the background! I actually don’t mind it.

With Angel in the Rain I enjoyed working on a large size canvas. The picture actually carried a lot of fine detail so I had to be quite disciplined with when to call it finished. I could have gone on adding dots forever! The areas of the picture that are less distinct and faded out of ‘focus’ a bit were a satisfying element. I applied largish dobs of lighter (or darker) colour over dried layers of colour and then scumbled them out with a dry brush. This technique created the lovely blotchiness of the piece. Even the little fine dots got a once over with the dry brush to soften them. One of the things I love about painting with oils is accidentally discovering a technique, or maybe simply a colour. All-of-a-sudden you go “Wha? How did that happen?”, “I don’t know but I like it!” and off you go on some new journey of creativity and discovery.

teve Murnaghan's brush box

Steve’s Brush box.

I didn’t take any pictures of Angel right at the beginning of the process but here are comparisons of an early one, one from the middle and one nearing completion.

Process 1

Process 2

Process 3


mike lamble faceMike said: I enjoyed watching Steve create this beautiful image over the months and I know my constant suggestions at times must have driven him nuts but he took it all with good grace and the end result was worth it.
It is a superb painting superbly painted with a totally professional attitude to the challenges it presented until he completed it, some of my students would do well to take a leaf out of Steve’s book!
I’m trying to find something to bag him over, for once I cant think of anything …………….. except man u 1 MAN CITY 4 thanks to the BBC.


If you haven’t read “Ask our students” article about Steve, Click here.

“How touched was I by the events of 9/11” – written by Mike Lamble

"The Indian village" by Mike Lamble

“The Indian Village” by Mike Lamble.

mike lamble henryWritten by Mike Lamble

I was reminded last week that it was the twelfth anniversary of the events of September 11 2001, the attack on the World Trade Centre shocking us all as we stared in disbelief at our TV screens. At the time I was working for The Bill Smith Studio on Fifth Avenue New York as a freelance illustrator here in Australia.

My latest painting for them had been picked up by FEDEX from my studio two days before and had gone missing. In the subsequent correspondence between myself and Lily Coluna (art buyer) we eventually tracked it down to Dallas Fort Worth as all packages destined for New York from around the world had been re-routed for fear of further terrorist attacks.

I asked her how she was feeling? this is what she said in part,
“We work only three blocks from the World Trade Centre. She cried, a great sadness had spread over the city. That first day they all went home they were so scared”

It was said at the time the world would never be the same. Twelve years on the scar inflicted by that event on the consciousness of humanity remains as potent as ever!


Henry (6months)

Henry

Thank you for all of your kind words. – written by Mike Lamble

Henry on Friday 30th August 2013 at Vets

Last picture of Henry (8yo) taken at the Vets – Friday 30th August 2013.

mike lamble henryWritten by Mike Lamble

This week was a very sad week for all of us connected to the art school as we lost a much loved and highly valued member of staff. He loved going sketching with me all over NSW and most weekends in the local area. He would spend afternoons with me between classes toasting his toes on my radiator and when excitedly I would show him the progress of my latest masterpiece I was left in no doubt what he thought of it as the rumbles emanating from deep in his abdomen found expression a few seconds later on my carpet Henry the much loved dog is missed and will be missed for a long time to come.

Henry with Kids going to the park, lunch time of school holiday workshop

Henry with Kids going to the park, lunch time of school holiday workshop

Henry in the Adults evening class.

Henry in the kids class

To see ourselves as others see us Henry was a huge part of my life but I never thought of it from the point of view how my students saw us until their expressions of shock and sadness this week “You and Henry were so close, great understanding between the two of you… so a beautiful dog so well behaved” to name a few. Thanks Pye for the card. Sill there is a little bit of him sitting on the mantlepiece in the studio!

  • Henry and Mike in 2005
  • Henry and Mike in 2010
Henry and Mike in MG

Henry and Mike

iPad Art by Ako Lamble

“The Best Friend” iPad Art by Ako Lamble.


Ako Lamble Ako said: I’ve learnt a lot from the loss of Henry. One of them is that our mind can easily create illusions according to our expectations. I still see him or rather feel him somewhere in the art school. I KNOW he’s gone but I see his huge face with a rather sad look appearing at the entrance as I climb the art school stairs, I can even hear his wagging tail banging on the door in welcoming rhythm. I suppose it will be like this for a long time… yes we all miss Henry.

Henry waits for everybody coming.

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Mike Lamble taking a photo of a landscape.

” Will miss you all ! ” -written by Mike Lamble

Mike is taking a photo of the landscape.

mike lamble henryWritten by Mike Lamble

I pinch myself  to think I have you guys round me every day of the week I am probably one of the few people that loves what they do and looks forward to Mondays.
Love what you do and do what you love has been my approach to my working life since leaving college which hasn’t always been easy as I referred to in my earlier blog on starting out as an illustrator and leaving the security of working at Saatch and Saatchi behind.

 If I have any time I practice drawing more than painting between researching, writing, scanning pictures, archives and paintings for my next talk, but it isn’t always easy sometimes I feel like “bad cop” when students miss a few classes and state “they will make them up the following term” I have to say no even though the terms are on the website under Fees
then I find I am explaining the reasons to stop their irritation.

Many of my friends say I’m lucky luck has nothing to to with it, very often I have to work seven days a week running the school. When I first started the art school for over two years I slept on the floor in the room at the back sleeping on the models mattress with cockroaches for company before dashing off to work as a freelance illustrator until the art school started to support itself it was hard meeting those deadlines in the States as I started to spend more and more time here but at least I had a kitchen and bathroom(and there is another story) boy it was worth it then and worth it now, so whilst I am looking forward to driving god knows where with my sketchbook thats a hint to all of you! I will be hanging out by then to see you.


All I got was sun for lunch

Ako Lamble iPad Art Northshore School of Art

Ask Our Teacher – Ako Lamble (iPad Art)

“I suppose what I do on my creative works has been based on “what if” spirit and editing (mixing/collaging) methods.”
ipad art by ako lamble

iPad Art by Ako Lamble / Procreate app
The gif animation was created with Corel Painter.

Name: Ako Lamble
Teaching at NSA: iPad Art Weekly Classes / iPad Art Workshops
Joined NSA since: 2002

NSA: What doodle / drawing / painting did you do in your early life that you were the most proud of? How old were you?

AKO: I suppose that the comic manga book I made when I was around 9-10 yo was the one I was proud of. I wrote a story about me and my best girl friend who lived a few doors away, it was a success story of us becoming a duo pop star who could sing and dance (that’s what I desperately wanted to do those days). It was all hand made and approximately 15 pages long. I wish I kept it but who knows where it is now.

Ako Lamble and best friend

Ako (left) and her childhood best friend Naomi (right), both are 13yo.

PinkLady

Ako made a comic manga book inspired by the Pinklady’s comic book (above).

NSA: Have you been always artistic / creative? if so, in what way?

AKO: “WHAT IF…?” has been always the top phrase in my dictionary. Unlike Mike as a single minded artist since he was young, I had too many minds (and still do)… I was a doodler, an obsessive letter writer,  a member of choir, trained to be an announcer for 6 years in the school broadcasting club (which was a big thing to me)… Everybody around me expected that I would be an announcer (in Japan) but I went to collage to learn Photography because I wanted to make a film (oh dear…).

Make a long story short, learning Photography (before the digital photography era) has taught me “how to see” which helped me a lot when I drew and painted afterwords. I still remember the words from the “mastering editing” book which I read in my college days, it said “there is nothing new under the sun (Ecclesiastes 1:9), so there is no point to be striving to create “originals” because there is no such thing, what you can do is mixing them, collaging them or editing them nicely” I thought that was absolutely true and instantly took off my unnecessary pressure which was “i have to create “originals” to impress people”, rather I enjoyed my experiments. I still do the same. So I suppose what I do on my creative works has been based on “what if” spirit and editing (mixing/collaging) methods.

ako broadcasting_600

Broadcasting was a big thing to Ako (17yo)

AKO: I fell in love with the felting a few years back, making scarves and small items like book marks, coasters, Jewellery … I made my original brand called “woolhug” and sell them on the net and the shop but it’s getting slow because I put more my time on iPad Art these days, I am not going to give up my felting which can satisfy my needs to do 3D craft.
"Reading Mate" felted bookmarks by Ako Lamble

“Reading Mate” (felted bookmarks) – designed and felted by Ako Lamble.
The eyes popped out when the book is closed and it can sit because of the wire in the body.

The felted coasters by Ako Lamble

The felted coasters – designed and felted by Ako Lamble.
Fried egg, Bacon, Tomato and Swiss cheese

The felted scarf by Ako Lamble

The felted scarf – designed and felted by Ako Lamble.
One of her customers asked Ako to make this when she saw the egg and bacon coasters.
This was a gift for her friend who loves bacon and egg.

Ako Lamble at the Glebe Market

Ako was selling her felted products at the Glebe Markets.

NSA: What made you join NSA? Where did you hear/find about NSA?

AKO:  I originally joined Mike’s cartooning class at Mosman evening college and he introduced me to his art school, I joined the following year. It was my first experience painting with oil paints which I enjoyed very much. I started with a simple flower then after a few paintings I painted a cat quite well that led me to paint pet portraits and human portraits.

Ako Lamble's very first oilpainging

Ako’s very first oil painting at NSA.

Oil painting by Ako Lamble

The oil painting of a cat which encouraged Ako to paint pet portraits

Oil painting by Ako Lamble

“Berney” oils, commissioned work.

"Henry at the dog beach" Oil by Ako Lamble

“Henry plays at the beach” Oils

"Bella on Silver" Oil by Ako Lamble

“Bella and Silver” Pastels, commissioned work.

Oil painting by Ako Lamble

“Emi” Oils

Oil painting by Ako Lamble

“Twins” Oils

NSA: If you are allowed to have any famous painting in the world on your wall, what would it be and Why?

AKO: I would love to have “The Ball” by Félix Vallotton on my wall if you ask me now, it might be different another time. I did not know the artist but when I saw his painting in the exhibition “Masterpieces From Paris” at NGA in 2010, I instantly fell in love with it. It was not a huge painting but I was drawn to it very much. I like the composition and setting, it tells a story. I can look at the painting all day long and wonder how the story develops, the child chasing a ball reminds me of “Alice in Wonderland” and the ladies in the distance reminds me of a private conversation between Anna Karenina and her niece, Kitty.

felix vallotton

“The Ball” by Félix Vallotton

NSA: What creative project are you working on right now and what would you like to achieve with your art within the next year?

AKO: To establish the iPad Art Classes / Workshops involves a large part of my creative mind, I understand so many people are skeptical about iPad Art because it’s new and digital. My creativity comes in to “show and tell” in the way people can easily relate to it and see the potential as a powerful art tool which they can use straight away.

Also I’m responsible for the art school’s website and organising blog articles, Mike and I constantly talk about how we can grow our art community and how we can interact with each other. The interview “Ask Our Students” is the most fun job for me to do. I enjoy knowing each one’s story about their creativity, it’s so inspiring. This will be an ongoing project.

To create my own iPad Art itself doesn’t need much of my energy, my time or even my creative mind, as I said I still have too many minds to do things and iPad serves a person like me very well. It can be my sketch book, art journal, art references, canvas to paint on while listening to music or I can even read something to feed my spirituality… wonderful!

NSA: why do you teach art, or what do you get out of it?

AKO: I teach iPad Art because I would like to encourage and inspire those who gave up their art due to difficulties in life to pick up their art again. I constantly have a lack of energy and limited time to do creative things, so without the iPad I couldn’t pick up my painting again. It is my pleasure to share my knowledge and experiences with others, in return I also learn and get inspired by them.

NSA: Finally, would you design a T-shirt for Mike to wear in the class?

T-shirts-for-mike_ako_800


mike lamble faceMike said “Darling, your breath isn’t too good, I think you ate too much curry last night, will you please take your toung out of my ear?…….. Oh hello Henry!”


private tuition for ipad art
ENROL NOW!

Weekly Classes for iPad Art (for All Levels)

10am – 12pm TUESDAY
1pm – 3pm TUESDAY
$330 for Term (10wks) / $35 for Casual

The weekly classes for iPad Art is going very well. Once you decided to start drawing with your iPad, we believe that you might have many questions to be answered and need instructions on a weekly bases, so come to the class with your well-charged-iPad, have fun and make your iPad a powerful art tool which you won’t want to be without!
DOWNLOAD ENROLMENT FORM

Go to iPad Art Weekly Class Page >>


Henry said "Is that a Chai Late?"

Henry is allowed to lick the cup if it’s a Chai Late.

Ann Reeves is painting in the art class of northshore school of art.

Ask Our Students – Ann Re​eves (Wednesday 7-9pm)

” I take an art class
To improve my ability
To see others’ creativity.”

Ann Reeves

Name: Ann Re​eves (Wednesday 7-9pm)

Joined NSA: around 2 years ago

NSA: What doodle / drawing / painting did you do in your early life that you were the most proud of? How old were you?

ANN: 13~14yo.

NSA: Have you been always artistic / creative? if so, in what way?

ANN: Yes. Musical, dance, some acting, drawing and doodling.

NSA: What made you join NSA? Where did you hear/find about NSA?

ANN: From the street sign.

NSA: If you are allowed to have any famous painting in the world on your wall, what would it be and Why?

ANN: Many artists however I love Lautrec, Renoir, Rubens and Monet.

Henri de Toulouse Lautrec

“Salon at the Rue des Moulins” by Henri de Toulouse Lautrec

NSA: What are you working on in the class right now and what would you like to achieve with your art within a year?

ANN: Better drawing skill.

NSA: why do you take the class, or what do you get out of it?

ANN: To improve my ability, to see others’ creativity.

All drawings by Ann Reeves

Drawing by Anne Forrest-Re​eves

Drawing by Anne Forrest-Re​eves

Drawing by Anne Forrest-Re​eves

Drawing by Anne Forrest-Re​eves

Drawing by Anne Forrest-Re​eves

Drawing by Anne Forrest-Re​eves

Drawing by Anne Forrest-Re​eves

NSA: Finally, would you design a T-shirt for Mike to wear in the class?

t-shirt_design_for_mike

mike_face Mike said “The t-shirt……….Naughty!
Annie is my free spirited student who came to me with sketchbooks full of ideas from her time living in America her art teacher had shown her so many things (which made the teacher look good) but didn’t do much to teach her how to do it!
THE CHALLENGE ?
How do I persuade cajole plead talk insist someone with such a bubbly lively personality who breezes into the studio at well more or less when the class starts looking like she has just parked her Harley Davidson outside, to sit down and concentrate on drawing negative space for the next x number of weeks…….not easy!!
Two years later and one glass of wine I ask myself how am I going to persuade her to venture into oil painting…….not easy!!
One year after that and two glasses of wine later I ask myself how on earth am I going to persuade her to paint a group of pears to develop her technique instead of painting the Mona Lisa……not easy!!
Ahhhhhh
She is an asset to my art school big xx and oo”


Ako Lamble Ako said “I would like to show my appreciation to Annie for helping a lot on our annual exhibition last year. She always brightens a room wherever she walks in.”

Annie and Pye helped for our annual exhibition in Dec 2012

Annie and Pye helped for our annual exhibition in Dec 2012


Drawing and Painting for Absolute Beginners

Monday Afternoon: 12pm noon – 3pm
Wednesday Evening: 7pm – 9pm
Thursday Morning: 9.30am – 12.30pm

For all those who doubt that they have a single creative bone in their body! Let us prove you wrong! Everybody has the ability to draw and paint. All you need is the enthusiasm to do so. We uncover the tricks of the trade through simple exercises that will teach you to see like an artist. Get your lines right, get your tone right, understand how perspective and scale works. Learn how to use colour pencil and be introduced to oil painting. Discover skills you never thought you had in our fun and relaxed environment!
Please feel free to ask us if you have any questions about the class. Email: info[at]art-art.com.au / Phone: +61 (0)2 9968 1233 / Download Enrolment form

ipad art by hannah klupiec toddler northshore school of art

“Being creative with an active toddler in tow” – written by Hannah Klupiec

iPad Art by Hannah Klupiec

hannah_faceWritten by Hannah Klupiec

Being creative with an active toddler in tow is harder than expected. I enjoy the spirited one so much though some times he is the great negotiator. I still crave time for myself but have to sacrifice this time often. I work part time then come home to see him and want be a part of the family unit again. The evening rituals require great energy only to see him off to bed and be too tired to even think about time for painting. Making a card or jewellery for friends seems to give me great delight that I wonder if i will ever get an art space for myself where I don’t have to worry about packing up all the time. I really don’t know how some women do it working and being a parent. I think that’s why many are great multitaskers and make sacrifices.
The iPad has been a wonderful way for me to get back into art making…even if it is only for a short period with “Procreate” and “Snapseed” – my latest 2 favourite apps pushing my abilities, confidence and knowledge.

Thum nail of iPad Art by Hannah Klupiec

Click the image above to go to the Flickr site to see more of Hannah’s iPad Art.


iPad Art Workshop Logo

iPad Art Workshops for Beginners

10am – 4pm Saturday 20th July 2013

BOOK NOW!

If you are a busy working mum like Hannah and wishes to have a creative time during busy your daily life, why not give your iPad a chance to become a handy and powerful art tool for you. There are still a few spots available. Please feel free to ask us if you have any questions about the workshops.

Download the enrolment form, fill in and send back to us by Email: info[at]art-art.com.au.
Go to iPad Art Workshops Page >>

iPad Art coloured leaves painted by Ako Lamble using a moleskine sketchbook.

iPad Art – “Why iPad Art instead of iPad Painting? ” written by Ako Lamble

[slideshow_deploy id=’6684’]

“A desk lamp in the morning sun” iPad Art by Ako Lamble

Ako LambleWritten by Ako Lamble

Hi Everyone,

I deliberately call my class “iPad Art” class instead of calling “iPad Painting” or “iPad Drawing” class because it is not just for draw/paint digitally, you can do more with iPad, I’ll show you one of the good examples today.

My back ground is Photography, I spent my college days in the dark room, if not I was chasing lights and shadows in the field. It took a while for me to handle colours properly after I studied and practiced the B&W photography for long time.

However, it was a happy surprise to know the training I had with photography of how to see the lights and shadows helped me a lot when I started drawing and painting afterwards. I can see the subject much clearer, I instantly make the subject into a black and white picture in my mind and find the lines, negative spaces, perspective and so forth. Even the times I can’t draw properly, I can see what is wrong at least.

I recently invented a way to do a fun sketching with iPad. I call it “Pretend sketching”. You sometimes see a photo like this (below). People take a picture of their sketch and subject together, I got the idea from it.

Drawing by Mike Lamble

Mike’s sketch.

I have a few collections of beautiful scenery images. I chose one of them and made this (below) with iPad and Procreate app.

Pretend sketching template

One of the pretend sketching templates.

Then I drew the scenery within a sketchbook area as if I were sitting there and sketching, the result is this (below).

iPad Art by AkomLamble

“The rainbow field” iPad Art by Ako Lamble

Soon then I started using my own photos instead of using beautiful images taken by someone else. The process is interesting because it starts from the final image in your mind otherwise you will easily forget to make a space for a sketchbook which you would draw on later, so when I found something interesting (usually it has good light and shadow), I clearly picture in my mind where my sketch book would be located and how the subject is going to be seen in the background then shoot it. I quite like using a small moleskine sketchbook now which has the off-white or yellowish papers that give warm and organic feelings which is very important to me when I do digital art, I also like it having a sewing line in the middle of the two-page spread and make sure I don’t loose it after I draw, I enjoy very much creating the illusion that way.

I consider this whole process is iPad Art, from finding and taking photos of a subject to drawing and sharing them with your friends.

Oh, I should tell you that all my iPad paintings listed here didn’t take me more than 15 minutes (because it’s done as “drawing for a 15 min a day project“), it took another 15 minutes to take a photo with my iPhone and then assemble the background with iPad.

iPad Art by Ako Lamble

“The Autumn carpet” iPad Art by Ako Lamble

Winter is the best season to take a great photo because sun light is nice and soft which travels at a low angle and gives long shadows during most of the day. You don’t need to go to Paris to take such a pretty picture, it can be created right in your own backyard, kitchen or living room if you have winter sun there.

iPad Art by Akolamble

“The lights though blinds in kitchen” iPad Art by Ako Lamble


Weekly Classes for iPad Art (for All Levels)

10am – 12pm TUESDAY
1pm – 3pm TUESDAY
$330 for Term (10wks) / $35 for Casual

We have started the weekly classes for iPad Art this term, and it has been going very well. This would be the way to go if you would like to do it at your own pace. Your questions will be answered and instructions will be given according to your level of understanding on a weekly basis, so come to the class with your well-charged-iPad, have fun and make your iPad a powerful art tool which you won’t want to be without! Download Enrolment form.

Go to iPad Art Weekly Class Page >>

Good news is you can learn iPad Art as an optional in the Monday night class (7-9pm) from term 4, it’s good for those who only have their free time in the evenings.


Hunter in the winter sun

New arrangement for weekly monday night art classes northshore school of art

The new arrangement for the Monday night class -written by Mike Lamble

New Monday Night Art Class

New arrangement for the monday night class.

mike lamble henryWritten by Mike Lamble

The new arrangement will start from Term 3

In my last blog I wrote about the benefits and pleasure of life drawing this was written as an encouragement not only to my students but to other artists and students who may read my words. Many of us who are professional artists understand it as an essential form of practice as an aid to our painting drawing or illustrating, sadly not every artist or student appreciates that.

Over the years I have become aware through models, teachers, artists and students the number of life drawing classes has been in decline around Sydney, unfortunately even we have not escaped the declining number of students. On the other hand, the number of enquiries for the drawing & painting class for beginners was increasing, so we came up with a great idea.

Monday night will now become a beginners drawing and painting class for new students, but for our existing students including iPad Art students an extra class has become available.

I still encourage our students to do the life drawing once a term in the Monday night class and Wednesday night class. We also will increase the Saturday morning life drawing workshop from once to twice a term.

I believe that the new arrangement will give more of a chance to many of our students to experience the benefit of the life drawing.


Beginners Draw & Paint (weekly / casual)

7 – 9pm Mondays
$330 per Term (10wks)
$35 per Casual Class

For absolute beginners

For all those who doubt that they have a single creative bone in their body! Let us prove you wrong! Everybody has the ability to draw and paint. All you need is the enthusiasm to do so. We uncover the tricks of the trade through simple exercises that will teach you to see like an artist. Get your lines right, get your tone right, understand how perspective and scale works. Learn how to use colour pencil and be introduced to oil painting. Discover skills you never thought you had in our fun and relaxed environment!

Oils or iPad?

After completing your first 10-week-term in basic drawing, you have the option of starting your first oil painting (it will be explained in greater detail on your first night) or discover the iPad as your powerful art tool and create the digital art.

Please feel free to ask us if you have any questions about the class. Email: info[at]art-art.com.au / Phone: +61 (0)2 9968 1233 / Download Enrolment form


Henry 8weeks old

“We don’t always see” – written by Stephen Dernocoure

Sketch by Stephen Dernocoure

STEPHEN

Written and drawn by Stephen Dernocoure

At that moment drawing became the otherside of looking
and I said yes, now I see it.
When I began to draw the next day I had to start all over again,
how mysterious.

Sketch by Stephen Dernocoure

Sketch by Stephen Dernocoure

Sketch by Stephen Dernocoure

Sketch by Stephen Dernocoure

Stephen’s sketchbook.


Life Drawing Workshops – Last Saturday of Each Term

Saturday morning 10am – 12:30pm
29th June 2013
$50 per person per class

Why don’t you join our Life Drawing Workshops? Please feel free to ask us if you have any questions about the life drawing class. Email: info[at]art-art.com.au / Phone: +61 (0)2 9968 1233 / Download Flyer